"Mythophysics of the new normal"

"Mythophysics of the new normal"

photo by Warren Ellis via his Orbital Operations newsletter

Warren Ellis is pretty cool and he has a pretty cool email newsletter you can subscribe to here.

His recent missive is in the same vein of a lot of his talks - dealing with ideas of the future, the "new normal" and trying to wrap our heads around the new shape of things around us - but I particularly liked this one.

Here is some of it below, from his first lecture as a visiting professor at York St John University:

My job is just sitting in a room making shit up all day. I’m not complaining. But the best part is that I get to meet people, all kinds of people, in probably dozens of different fields. Because I hate silos. The idea that you find your specialty and stay in it. I mentioned that I never went on to higher education. I’m one of those terrifying random auto-didacts you read about, usually in news stories about sudden unexpected axe attacks or bombing campaigns against vending machines. I’m not even one of those freakish deep-thinking uncontained comprehensivists like Buckminster Fuller, whom some of you will probably have to look up afterwards. He once taught at MIT, where I spoke just a couple of weeks ago, and his course was called Comprehensive Anticipatory Design Science.

Which is probably another way of saying Arts, Design and Computer Science.

Fuller also taught at Black Mountain College, a weird experimental school in North Carolina – it’s near a place called Asheville, close to where I visited on book tour last winter, and we should maybe talk about Asheville one day – it used to be tobacco country, but when other pressures caused the government to remove a crucial financial crutch, the area collapsed back from 1400 acres of tobacco ground to a hundred, killing the local economy and emptying lots and lots of buildings that artists and musicians moved into for pennies – but, Black Mountain College – the point of the place from the start was that it was interdisciplinary. All the departments cross-pollinated each other.

And that’s kind of how I work and move around the place. All the time, I talk to directors, musicians of all kinds, artists, designers, coders, security threat modellers, genetic engineers, space doctors, philosophers, actors, writers, actual mad scientists. I met Ev Williams at dinner when he was still building out Blogger and I was just a bloody comics writer – but I was in the Bay Area to speak onstage at a “future of the web” conference next to a musician called Thomas Dolby and a software engineer called Grady Booch. Not because I am brilliant or special but because when the opportunity to step outside my perceived silo comes up, I grab it.

Specialisation worked out pretty interestingly for arts, science and the humanities in the 20th Century, sure. I mean, unless you were into philosophy, which was completely subsumed by academia and strangled in the dark. I should apologise to my philosopher friends for that, but they’re aware of it -- Peter Sjostedt publishes through Psychedelic Press to get his ideas out of the silo. The 21st Century is going to work a little differently. Nobody was ready for Bucky Fuller and his comprehensivist geodesic dome bullshit in 1950, and Black Mountain College didn’t last twenty five years, but, this year, if we don’t pay attention to everything and learn from everybody, then we’re probably all screwed.

The best bit of my life is that I get to talk to everybody, about everything, and put people from a bunch of different disciplines in the same room, and I get to listen and learn and apply that to whatever I do next. It’s a full speed life, and it’s riddled with challenges large and small, and I might still go down with arrows in my back, as Bruce Sterling said about me – but it’s entertaining as all hell.

And the point to this is – this is what the future is going to look like. Probably needs to look like. And that’s going to be where you’re living.


But the future is where we’re all living tomorrow, and it’s down to us both to summon it and to look ahead to see what shape it may arrive in.

Speculative fiction and new forms of art and storytelling and innovations in technology and computing are engaged in the work of mad scientists: testing future ways of living and seeing before they actually arrive. We are the early warning system for the culture. We see the future as a weatherfront, a vast mass of possibilities across the horizon, and since we’re not idiots and therefore will not claim to be able to predict exactly where lightning will strike – we take one or more of those possibilities and play them out in our work, to see what might happen. Imagining them as real things and testing them in the laboratory of our practice – informed by our careful cross-contamination by many and various fields other than our own -- to see what these things do.

To work with the nature of the future, in media and in tech and in language, is to embrace being mad scientists, and we might as well get good at it.

Yegwa Ukpo

Yegwa Ukpo

Lagos, Nigeria